
With the third
X-Men movie reaching cinemas on the May 26 2006, now is the perfect time for an in-depth history of the Marvel X-Men's comics career, from their birth in 1963 to their unparalleled success in the present day.
Comics Creators On X-Men features interviews with every major talent involved in Marvel's X-plosive series, including Stan Lee, the original co-creator, and writers and artists from Roy Thomas and Chris Claremont, through John Byrne and Dave Cockrum, to Grant Morrison, Mark Millar and Chris Bachalo.
This 256-page book traces the creation of the X-Men, in a chronological exploration of their most resonant adventures and villains. Along the way, interviewer Tom DeFalco, former Editor-in-Chief of Marvel Comics, uncovers the brainwaves, conflicts and legends that shaped
X-Men into one of the world's most popular series of comic books.
Surprisingly, the book didn't take long to put together. "Titan and I first began discussing
Comics Creators On X-Men in early 2004, along with
Comic Creators on Fantastic Four," said DeFalco. I did
CC on FF first and began working on
CC on X in the early summer of 2005. Actual research, interview, transcription, editing, approval and production time took about ten months."
Having also done
CC on Spider-man, DeFalco now has a trusted approach to these books. "First," he said, "I pull out my old comics, hunt down new ones and write up a bunch of questions. I do some research on each of the interviewees - even if I've known them for years. I have to do a lot of research because I don't trust my memory. I'm almost as bad as Stan Lee when it comes to remembering anything. Once that's done, I arrange a convenient time to chat. I prefer talking to my subjects, rather than the question and answer method that's so commonly used in the age of the Internet. This allows me to react to statements and follow tangents.
"The actual interviews can run anywhere from one to five hours in length and are usually filled with digressions, gossip and even the occasional cooking recipe. (Hey, most of us are freelancers who spend a lot of time at home!)
"Then I have the interview transcribed by a couple of lovely and patient young ladies. I usually end up with a rough manuscript that can run anywhere from fifty to a few hundred pages in length which I boil down.
"After that my editor - Simon Furman - takes a pass at the interview and we send them back for approval. Once it's been approved, Simon works his magic and printed book appears on my doorstep a few months later."
The process has its high and low points for DeFalco. "I love talking to the various creators and getting their views on our wonderful craft," he said. "I wish I could have been reading these
Comic Creators books when I was first starting out as writer. They would have been very helpful.
"The transcribing stage is harder though. Transcribing a tape recording can be a very tedious process and I really don't have the patience for it. And the editing stage can also be quite painful. A creator will go off on a tangent that I find fascinating, but really has nothing to do with the subject at hand. I'm always torn between including and deleting these gems."
The X-men have been popular for over forty years, so what does DeFalco think is behind its longevity? "I think the series is about traumas that come when you possess a special talent (or passion) and that's a theme that everyone can identify with. I also think the X-books have been blessed with some of the finest creators the comic book industry has even seen."
Tom DeFalco is currently working on the monthly adventures of
Spider-Girl and producing another five-issue limited series for Marvel called
Last Planet Standing. He's also done a couple of Kolchak stories for Moonstone and contributed to the new Marvel Encyclopedia from DK Publishing, which will go on sale this summer.